![]() Schubert expanded the potentialities of the genre like no other composer before. 100and two one-movement piecesthe early Sonatensatz, D. Prior to Schubert's influence, Lieder tended toward a strophic, syllabic treatment of text, evoking the folksong qualities engendered by the stirrings of Romantic nationalism. Schubert made four contributions to the piano trio literature, two full-fledged triosB-flat major, op. It was in the genre of the Lied that Schubert made his most indelible mark. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. By no means does the Wiener Mozart-Trio's version close the book on Schubert's E flat trio, but it certainly raises valuable questions.Franz Peter Schubert was an Austrian composer. All this helps to set up the now-giant finale as the true center of the work. ![]() The Scherzo is unusually good here, a little ballet of chains of rhythmic figures that answer each other only to go off in new directions it's unusually delicate and graceful. 100 (D 929) -Andante con moto-' by workshop on Vimeo. But stick with the music and its sheer harmonic scope will begin to sink in. This is 'Trio Marvin plays Franz Schubert. You may find the second theme of the opening movement inexpressive here, given that it's one of the lyrical highlights in the conventional version. To make all this hang together, the Wiener Mozart-Trio takes the music at a brisk clip, emphasizing the rhythmic threads that hold each movement together. ![]() But it recasts the cyclical quality of the trio into a more narrative form that looked forward to program music from later in the century.
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